THE HEART BEHIND THE ART
CURRENT EXHIBITION:
Satellite Art Show
Miami, Florida, USA
Creative Direction: Candace Neff Randolph
candace.randolph@holysprings.co
Installation & Styling: Enrique Fausto
Room 25
HOSPITAL CHAPEL
BOOTH DESCRIPTION: ROOM 25
HOLY WATER presents Satelitte-esque “Hospital Chapel,” by artist Candace Neff Randolph, following her sculpture debut with Satellite in Austin this past March. This candlelit environment weaves her sculptural and mixed-media pieces with subtle December-in-Miami holiday touches, creating a shared moment in time held within a reverent chapel setting. Styled and installed in collaboration with Enrique Fausto, the work invites visitors into a collective pause and place of reflection, come Sit & Be
A FAITH-FILLED THUMBS UP
Every purchase pours into the Holy Water movement, fueling the flow that sustains its mission and spreads its impact like ripples across the world.
THE ROAD LESS TRAVELED
Every purchase pours into the Holy Water movement, fueling the flow that sustains its mission and spreads its impact like ripples across the world.
MARSHJELLO OR JELLY MELLO
Every purchase pours into the Holy Water movement, fueling the flow that sustains its mission and spreads its impact like ripples across the world.
The value, $8,220, carries layered meaning.
The 8 draws from Romans 8:28 — “And we know that in all things God works for the good of those who love Him.” A verse often clung to in seasons of grief, it speaks to strength rising from hardship and the quiet assurance that nothing—no loss, no wandering—is wasted.
The 22 reflects Psalm 22, a chapter that begins in deep anguish yet ends in unshakable trust. It mirrors the journey from sorrow to strength, from “Why have You forsaken me?” to “He has not hidden His face from me.” It is the arc of grief met by presence.
And, of course, 8/22 marks the day Holy Water was released—forever tying the number to the moment music, ritual, and story converged.
THE SHOPPER
A clear handbag hangs by a gold chain, its honesty impossible to ignore. Inside: Holy Water, a black Sharpie, ChapStick, and Prada glasses—objects ordinary enough to disappear in daily life, yet together they become a quiet confrontation. What do we carry, and why? What stories do our brands whisper about us before we ever speak?
ChapStick began as a fragile, home-poured remedy in the 1880s, wrapped in tin foil by Dr. Charles Browne Fleet—a small act of care meant to mend what was cracked. Sharpie, whose parent company Newell Rubbermaid was one of Randolph’s first canvases in the world of creative direction, speaks to permanence: the marks we choose to make, the lines we refuse to erase. Prada, born in 1913 from Italian leather and family hands, reminds us that luxury is never neutral—it shapes culture as much as it decorates it.
And then there is Holy Water. Transparent in its purpose. Unmistakable in its claim. It asks for no explanation.
In this piece, the purse becomes a confession booth made of acrylic and gold—a small cathedral of consumer choice. A reminder that our values are visible long before we intend them to be.
You’re the shopper. When the world looks through the clear bag of your life, what does it see?
NOTE: THE SHOPPER will be shipped to you in a GIFT BOX and ready to hang on a WHITE sculptured hand shelf
Every purchase pours into the Holy Water movement, fueling the flow that sustains its mission and spreads its impact like ripples across the world.
Some may ask, “Why $414?”
HITCHHIKER ON THE ROAD OF LIFE
A ceramic silhouette of Florida — handcrafted in the USA — becomes the map of a moment that feels too strange and too holy to be coincidence. A black Sharpie “X” marks the exact stretch of 30A where a wandering traveler, singing the words “hitchhiker on the road of life,” was spotted with his thumb out, recording a video message to his close friend Dallas Jenkins, creator of The Chosen.
We pulled over. He climbed in. And before introductions had even settled into the air, we handed him a can of Holy Water. The gesture was simple, instinctive, almost ceremonial — and when the clip of that moment circulated, viewers couldn’t agree: Was this staged? Or was it sacred?
The piece leans into that very tension. Florida, rendered in ceramic, honors both Russell’s love of America and our own — a nation where the ordinary road can become an altar without warning. The handwritten X is a witness mark, not a location: a reminder of the intersections we don’t plan and couldn’t if we tried.
In this work, the hitchhiker becomes every traveler; the pickup becomes every act of grace; the road becomes every path we take without knowing the next turn.
The piece might pose: On the road of life, who might you pull over for? And what might you place in their hands?
Every purchase pours into the Holy Water movement, fueling the flow that sustains its mission and spreads its impact like ripples across the world.
CHOICE
DESCRIPTION ONLY RELEASED PRIVATELY AS IT RELATES TO UPCOMING SUPER BOWL AD, INTERESTED CURATORS & COLLECTORS ONLY
CONTACT: candace.randolph@holysprings.co
Every purchase pours into the Holy Water movement, fueling the flow that sustains its mission and spreads its impact like ripples across the world.
Our Redeemer; That’s a Wrap
The value of art is not just about materials—it’s about meaning, vision, and the shift it creates in culture. “Our Redeemer; That’s a Wrap” isn’t just a sculpture; it’s a statement on transformation, intention, and redemption in motion.
Every purchase pours into the Holy Water movement, fueling the flow that sustains its mission and spreads its impact like ripples across the world.
Some may ask, “Why $4,140,000?” But the real question is, “Why not?” This piece challenges the status quo of both art and commerce, merging faith with industry, and intention with material reality. It stands at the intersection of spiritual alchemy and marketplace disruption, proving that something once ordinary—even aligned with competition—can be redefined into something sacred. Truly, priceless to the team.
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